yinjispace

As our fingertips brushed the marble arch carved with centuries of wear, we entered a quiet refuge at the foot of the old city—Manuel's home, nestled on the ground floor of this ancient structure.

Suspended above the city, this courtyard is a small piece of skyward silence—a pause the building offers to the air. Here, architectural lines shift gently with the wind, and thoughts settle with ease.

Three interrelated spaces unfold Ask og Eng’s practice in parallel—situated across different places, yet naturally connected through method, scale, and the rhythm of everyday life.

This was more than a house — but a gentle reinvention of home — a restoration of closeness, and a poetic meditation on materials and memory.

The dual-pitched roof held a secret code of light: a subtly asymmetrical design allowed the oblique rays of dawn and dusk to pour indoors, warming the teak floors with golden hues, while filtering and softening the harsh midday sun.

Here, spaciousness and intimacy, light and shadow, roughness and warmth, architectural permanence and daily life perfectly coexist, composing a tranquil yet abundant poem.

Nestled quietly along the ridge is this white sanctuary named Kalesma, like a natural theater carved by sunlight—a vessel of light forged by designer Vangelis Bonios.

Drawing inspiration from the organic forms and soft hues of Nordic landscapes, Egeværk Studio carves glaciers, moonlight and forests into the very breath and grain of wood.

In his open narratives, he consciously or unconsciously merges diverse elements—“various materials and shapes, reorganized and elevated”—until a work of art is born.

His works drift along the boundary between intention and chance: a table poised on minimal points of contact, a bench like a captured ripple resting in time.

Tommaso Riva is an Italian photographer focusing on architecture and interiors. Living between Europe and Asia, he finds his own rhythm and sense of order within different cities and spaces.

This architect, driven by boundless curiosity, has expanded his exploration into interior design, landscape design, custom furniture, and especially deep research into material craftsmanship.

A Contemporary Longhouse That Breathes with Indonesian Tradition, it appeared not as a constructed object, but as a fruit slowly ripened from the soil itself.

And at En Kyanó, by following the traces of light and stillness, one discovers, within the rugged grain of stone, corners where the soul might take shelter.

Olga Ryukina designed a forest cabin for her family, nestled among century-old spruces, secluded yet closely connected to nature.