The exhibition, A Summer Arrangement: Object & Thing at LongHouse, is co-curated by Glenn Adamson and Abby Bangser and features installation design by Colin King.

The original architectural background of the space was excellent: large windows overlooking the theater square, correct geometry and the possibility to change the layout to suit the project.

It seeks to reinforce the feeling that the exterior blends with the interior, for which flooring and ceilings will maintain the same texture and tones, which will only be broken with the pieces of furniture and with the interior walls, which seek to generate a warm interior space.

Zena Holloway’s Rootfull initiative is a testament to the potential of working in harmony with nature to create sustainable art and fashion. Her creations not only showcase the artistic beauty of root-grown textiles but also raise awareness about the fragility of our oceans and the urgent need for conservation.

The Largo is an exciting new hotel concept that playfully subverts the standard notions of luxury hospitality and is the brainchild of Annassurra, a Copenhagen based travel and hospitality group.

Heliotrope Architects set out to create a calm and mellow atmosphere for a sushi restaurant that celebrates Japanese style.

Mette Maya Gregersen work is about the wave movement and how we relate to the distribution of its energy. Her sculptural ceramics radiate the same energy and rhythms as the ephemeral waves she so successfully captures.

Combining warm textiles, diffused lighting, abundant planting and richly textured walnut across the floors and joinery, the space is bestowed with a homely, neutral palette - softly unassuming, allowing residents to make it their own.

Treemingbird is a fashion brand store located in Seoul, South Korea, where materials and colors create sharp contrasts in the space, enriching the layers of the space.

The entirety of the store’s volume has been imagined in the rhythmic of bricks, hinting at the aphorism of us coming from the earth, building on it, and humbly returning to it.

Make skilful use of moulding and thermoforming techniques, the Vladimir Zbynovsky adapts the glass to the stone, exploring forms/thresholds that come to life in the light, while examining notions of time, memory and perception.

In the flowing time, feel the fusion and change between the natural light and shadow of the space.

Rather than experiencing building itself, we hope every visitors to have precious moments through experiencing every transformation of seasons or times as well as discovering unexpected aspects of surrounding context.

Laura Calleeuw has leveraged the home’s context to create a minimalist sanctuary with subtle surprises at every turn.

It is a fusion field that combines the concepts of home aesthetics and coffee living rooms.