On a sunny morning during our study tour in Italy, we boated through Venice and walked down a narrow alley to visit the Zanon blacksmith workshop. Situated between the historic Ghetto and Sant’ Alvise, the workshop has been the creative domain of Paolo and Francesco Zanon since 1942. Our exploration, guided by Alba Di Lieto and Paolo Belloni, an architect who shares his name with blacksmith Paolo, revealed a rich history of craftsmanship. This unique opportunity was made possible thanks to Alba's close relationship with the Zanons.
The Zanon brothers' journey is deeply intertwined with the legacy of renowned architect Carlo Scarpa. Francesco Zanon began collaborating with Scarpa at just 14, continuing a partnership started by his father. Their collaboration led to iconic works such as parts of the Negozio Olivetti, Palazzo Querini Stampalia in Venice, and the Brion Memorial in Altivole. Scarpa’s vision, realized through the Zanons’ craftsmanship, has been celebrated by architects and design enthusiasts around the world.
- Words: Fynn
- Photos: Federico Covre Yinjispace
In the 1968 Venice Biennale, Carlo Scarpa made a significant departure by showcasing a series of sculptures, a bold move considering his previous exhibitions predominantly featured architectural works. Scarpa, renowned for his profound understanding of materials and unique spatial treatments, collaborated closely with artisans and artists, including Paolo and Francesco Zanon from the Zanon workshop. Under Scarpa's guidance, they contributed their exceptional ironworking skills to create the sculptures featured in the exhibition. Though many of those artisans have since passed away, Paolo Zanon remains a living link to that era, continuing to create and inspire at the age of 83.
A detailed map on the wall displayed the wide range of projects the Zanons have undertaken—from local Venetian landmarks to international commissions. Red flags indicated churches and religious sites, underscoring the workshop’s significant contributions to sacred architecture. Other colors marked public institutions and diverse architectural elements, highlighting the workshop's versatility.
Inside the workshop, we saw a replica of the easel that continues to be sought after by numerous artists for reproducing the same model today. We also encountered several fascinating pieces, including a particularly tricky iron piece that mimicked the complexity of a Chinese mortise and tenon joint. Despite advancements in technology and the changing landscape of Venice—with many artisan businesses closing and Venetians leaving the city—the Zanon workshop persists as a center of traditional craftsmanship. The modern world may have transformed, but the legacy of the Zanons, particularly their connection to Carlo Scarpa, endures.
As our visit concluded, we recognized the uncertain future facing the Zanon workshop. Without successors to carry on the family tradition, the workshop's future closure is a looming possibility. However, Paolo and Francesco Zanon have expressed a profound desire to establish a museum dedicated to preserving their life's work. They envision the establishment of a foundation or trust to safeguard not only their contributions but also the heritage of Carlo Scarpa. Such an organization would be instrumental in maintaining, restoring, and showcasing their creations, as well as funding exhibitions and educational initiatives, ensuring that the Zanon legacy endures and continues to inspire future generations.
