Last month, our design tour in South Africa brought us to Bronze Age, a creative studio nestled in Cape Town. Sculptor Otto du Plessis established Bronze Age in 1997 as one of South Africa’s first foundries dedicated to the ‘lost wax’ method in South Africa. Bronze Age specializes in fine art sculptures, collectible design and architectural installations. They set benchmarks for quality. Working closely with a unique community of artists, multi-disciplinary designers and craftsmen, they place their creativity, specialist skills and latest technology at the service of our clients.
Last month, our design tour in South Africa brought us to Bronze Age, a creative studio nestled in Cape Town. Sculptor Otto du Plessis established Bronze Age in 1997 as one of South Africa’s first foundries dedicated to the ‘lost wax’ method in South Africa. Bronze Age specializes in fine art sculptures, collectible design and architectural installations. They set benchmarks for quality. Working closely with a unique community of artists, multi-disciplinary designers and craftsmen, they place their creativity, specialist skills and latest technology at the service of our clients.
- Words: Fynn
- Photos: Yinjispace Paris Brummer
Charles pointed out a project in Johannesburg, where they designed a column adorned with intricate leaf details. He showed us the aluminum ceiling and the brass-imprinted leaves that wrapped around the column, blending art with structural design. We also saw custom pieces crafted for Southern Guild, including a bronze table and a mirror frame, highlighting their ability to tailor designs to specific client needs.
Charles pointed out a project in Johannesburg, where they designed a column adorned with intricate leaf details. He showed us the aluminum ceiling and the brass-imprinted leaves that wrapped around the column, blending art with structural design. We also saw custom pieces crafted for Southern Guild, including a bronze table and a mirror frame, highlighting their ability to tailor designs to specific client needs.
As we walked through the studio, we observed ongoing projects, such as collaborations with American lighting designers and custom pieces for clients worldwide. Charles pointed out the variety of color finishes on aluminum pieces, emphasizing the uniqueness of each hand-textured item.
The tour also included a look at their work with international artists like Mark Quinn. Charles shared how Bronze Age collaborates on large-scale projects, leveraging their expertise in metalwork and sculpture. This collaboration with renowned artists underscores their capabilities and reputation in the global art scene.
