YINJISPACE use media professional’s unique perspective,try to explore the essence of life behind the design works.

© logo 粤ICP备19077098号

YINJISPACE use media professional’s unique perspective,try to explore the essence of life behind the design works.

© logo 粤ICP备19077098号
AN Design

Retroactive

Today people do not see the ancient month, this month once according to the ancients.This poem of the poetry fairy Taibai condensed the profound time and space, and triggered our philosophical thoughts on time and space.

True connotation

Dongshang is a local brand, the founder Mr. Wang with excellent character and professionalism, recognized by the market, become the preferred lighting service provider for local customers. We have cooperated with each other for many years, mutual understanding and trust. Last year because of illness forever left everyone! The emotion is no longer expressed.

In the middle of 23, Mr. Wang's sister and her lover came to the studio together, and in all kinds of, more is to commemorate, want to create the brand Dongshang, give deeper connotation to move forward again.

Due to the period of several years difficult to divide energy and career, the store, like most lighting stores, a variety of styles or applicable to different scene atmosphere of lamps stacked, market cognition is also a concrete product thinking, the market is staggered. The immeasurable starting point of project expression is here. The intuitive part is the abundance of emotion, the disorder of the site, the perception of both physical shape conflict and site expression.

Tease

About the memorial, starting from a room, a garden, the garden is the emotion carrier of local nature, the room is the beginning of architecture. About the operation function of DS design center and its management ideas, how to express, as Yue Meng said, design the whole thing.

Space and form

The construction of buildings, no matter how big or small, starts from the plane, which is the community organized by the room, the spatial structure in the light. Based on operational considerations, DS brand has concrete requirements for functional space, as well as breakthroughs for local conditions, and attaches importance to the connection and experience between space and lamps.

The designers divided the space into four parts

A. The entrance space is also an emotional conversion space

B. Central ring space, defined as a square, product display, art sharing, technical exchange

C. Product display space, original store and products contrary to the overall space atmosphere

D. Original proposal area

The site is in a building materials shopping mall, the site conditions are more complex, disorderly. The designer created an enclosed space to form an independent emotional space. The ground was raised and the facade was stripped from the original top of the mall

The elevation of the ground gives a hint to the spatial participants that the space begins to transform. The interior of the facade's acrylic luminous body is an adjustable light, which can break the dullness of the facade at the same time, and the permeability of the glass texture and the sexual awareness conflict, increasing the visual drama.

Beauty generates the desire to explore, which is the first reaction of intuition. Exploring the unknown space, surprise is part of the designer to express.

The device in the middle does not need a figurative interpretation, and the moment we interpret, the beauty is destroyed.

In fact, the lighting experience part of this space belongs to the trend, the designer mainly in order to organize the quiet space mood, the top surface of the light curtain, transparent metal mesh, color light transmission device, focusing on the space most of the time is dark, cloudy feeling, space experiencers perceive from the mall - moving to here - quiet.

This hundred years ago French antique chandelier, custom black and white glass is exquisite geometric symmetry lines, the lower part is triangular fan, the upper iron is classical elegant Rococo shell pattern, the overall modern fashion, is a fine Art Deco style.

The combination of light and shadow produces the beauty of shadow, which brings people the beauty of imagination and tranquility.
This kind of dim, introspective, distant environment can relax and quiet the spirit and heart, and consciously bring themselves into the pure land of self-construction, so as to obtain spiritual pleasure and comfort, which is probably the spiritual appeal behind the Oriental cloudy aesthetics.

Entering the middle square area, the contact surface of the entire exhibition space and the shopping mall is used to suggest the concept of the wall, and the exterior materials are painted to suggest the concept of the room. The enclosing wall of the central circular square, the stone finish serves as a metaphor for the interior and exterior, and the changes in the ground are also coordinated.

Each spatial unit is set up to relate to each other in the process of human movement. Appear blanking, appear blanking, appear blanking. The meeting of silence and light is inspiration, a temple of art, a Treasury of obscurity.

The so-called shape, in my understanding, is to strengthen the visual and memory points, and the symmetrical shape that separates the teahouse and the square here is to strengthen the sense of order.

All the rough texture will increase the thick and rustic atmosphere, the stone wall, the wall fence type street lamp, the texture and the touch all express the earnestness, just like his character, simple and sincere.

Structure not only determines its form, but it is the form itself, and when the true structure is combined with the true connotation, the true work is born.

The teahouse is like a simple table and stool in the corner of the village courtyard in memory, and the light reflects on the top surface through the leaves, adding a distant.Because there is light, there is form.

I carried out this project with a strong emotional thinking and a strong desire to express, and I was fortunate to have a high degree of thought with the client. Many of the previous expressions have not been put into words, just like what I said in the beginning, more words are about the physical nature of the project itself, and there is no statement about commemorative. Among the two considerations, one hopes that through the completion of the space itself can convey some emotions. Second, I do not know whether more words are appropriate, after all, we do not intend to impose our personal feelings on those who let the space experience.

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