There is no specific definition. All cities are fictional. I named each of them a woman. You can not imagine them, walking freely, elegant and gentle, "like a cloud wearing pants."

Urban Texture
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As a model for the development of modern cities, it took only 40 years for Shenzhen to move from the place of Shenzhen to row upon row. But behind this youth, we trace back to the source, but it has a long history and cultural heritage of more than 1700 years. In Shenzhen, the existence of Nantou ancient city has witnessed the vicissitudes of time and also demonstrated another kind of urban texture of Shenzhen.

The pattern of six vertical and one horizontal streets and lanes constitutes the fresh flavor of Nantou ancient city. As the only historical and cultural carrier in Shenzhen, the former "village in the city" has taken on a new look. The city regeneration that respects the site and advocates adaptability has given Nantou ancient city new vitality.

Mountain, Water And Moon
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As an independent female designer brand with "Oriental color", NHUESWANG art commuting has coincidental similarities with Nantou ancient city. It reproduces the contemporary spiritual connotation in the Oriental, self-conscious and constantly evolving aesthetic categories.

The rocks are natural and disorderly. After carving, they show a certain proportion of geometric shapes. They are the doorway of architectural sense, emphasizing the publicity of the brand and the abstract form of sculpture. Transparent glass transits from straight line to oblique cutting, and enlarges the area of the entrance and exit, which is different from the conventional straight to the point. The interior enters from one side.

In the Oriental context, mountain, water and moon build up the inner spiritual world and the real natural landscape. The half height wall of the entrance hall is used as the bearing, and the mountain fluctuates and extends in the horizontal direction; With the help of the concave formed by the inner column and the outer wall, the water is embedded in the ground, and the still water flows deep; The square moon is hanging high to show the visual color of the brand. At the same time, it can color itself to meet the needs of activities.

NON-Site
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For the work "learning mirror", Robert Smithson said, "instead of putting a piece of art on some gravel, you put some gravel in a piece of art." The discussion of the relationship between art and environment shows the immediate occurrence of non site through the form of physical materials. Art is seen and perceived by physics.

The flexible and free path forms the moving line of the backflow and connects the functional space of the flow. Abandoning redundant colors, decorations and shapes, space is purely a medium for people's internal expression. We need to truly and vividly present people's own social attributes, not space, which coincides with the brand concept of NHUESWANG art commuting.

Feminine Space
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Wu Hung tried to explore the "feminine space" in Chinese painting, where, of course, women are specifically referred to, while "space" has multiple meanings, including the architectural space and interaction inside the painting, the site and environment, and the associative space. As a women's clothing brand, the actual "feminine space" is reflected in the three-dimensional calm, free, independent, positive, restrained and prosperous multi-dimensional rich aspects.

The geometric form is consistent. The continuous appearance not only strengthens the elements, but also echoes the Oriental rhyme of "grotesque rocks". Another important element in the space is light, natural light, surface light, linear light, flood light and local point light. Different lighting forms, between light and shade, are saturated. In addition to functional requirements, they also shape the emotional atmosphere of the space.

For Sustainability
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The cashier area with simple geometry is hidden, and the differentiation of sales model makes the commercial appeal second. The concept of "clothing art exhibition hall" has surfaced. In the field of historical rebirth, brand cognition precedes spatial consciousness, and responds to the essence of design in a rational way of solving problems and clearing boundaries.

In the general sense of exhibition space, the product is the first element, and the utilization rate becomes the measure of efficiency. In the backcourt, we try to reasonably "waste" space, create an aesthetic rest place, as a part of the tour of Nantou ancient city, provide small sitting, reading, self photographing, sorting or standing still for a while.