Architecture often feels hard, probably because of the reason it was formed. Sandstone is crushed and rolled into concrete, and quartz sand melts its coarse self into cold glass. These different sizes of sand and gravel are removed from the beach under trees and crushed to be used as building materials.

But when the wind rustles through the treetops, like the fingers of a lover, the memory of the sand is returned to the breeze under the trees on the beach - the space becomes an embrace.

The wedding is endowed with the meaning of the combination of two in one - the rational contract ceremony and the eternal spirit.

Non-arbitrary construction can approach the purpose of spatial expression.

Romantic Proportion

As early as in Greece, the Pythagoreans discovered the consistency of the natural numbers with music and used the interval ratio to form the basic Greek four-tone series mode. This digital proportion is reflected in both ancient Greek architecture and music, and the four columns of Dolic and others correspond to the four-tone tone series mode - both of them achieve the expression of different auditory and visual feelings through the combination of intervals and scales.

Because of the uneven intervals of the seven scales, the tonality and color of each scale became apparent - the Doric mode was considered suitable for expressing gravitas and courage, and the Phrygian mode was associated with passion and sensibility.

 The combination of proportions can make the destination space present an orderly and romantic state.

She tore a corner of herself carefully, The doorway became the eyes. Through the thick black wall, Fall on each other.

Convergence is the expression of spatial emotion - dislocation is the glimpse of encounter, the central axis is the gaze of passionate love, and the plural module is the free exchange.

Wedding space is mostly made into a supermarket like the alley, the original sparkling wedding dress like the supermarket shelves on both sides of the sale of chewing gum, people are also pushed forward on the alley, how can this and the only link it.

We want to build a space that can have a relationship with the wedding dress, with enough time and distance to allow the wedding dress to coincide with the scene in the heart, so that people want to have more room to stay with the mood of the wedding dress. We re-divided the original space into big and small boxes, and connected them together through the viewport representing different feelings, so that people and wedding dresses have different encounter feelings through the scale change.

Forest Auditorium

Most of the buildings are made of cement and steel, and people put beautiful stones on the structure and spray paint of any color to show the "decent" look. The ceiling exposes the concrete structure, and the two beams intertwine like bows, presented to each other in a state of honesty.

When you enter, you can only see the decorated column, and then your eyes are drawn to the window by the human model and the scenery on the far side - when the two look back to look for the other side, they will find this gift because their eyes fall on each other.

When the human body is close to the building, it will receive the information left by various Spaces. Take two steps up through the entrance and zoom into the forest-wrapped interior.

After finding a comfortable body position to sit down, start a conversation and look around naturally, the tree tops sway outside the window, there is enough distance to imagine and the only wedding dress meet, standing in front of the auditorium scene.

The meaning of the space folding of the cord curtain is to release the information of relaxation, and the state of sitting and watching at a distance is different from that of walking in other Spaces. Our behavior becomes delicate and gentle here.

The trees were blown up and down in the bright southern light like rolling waves. This dynamic background makes the figures on the black glossy marble appear quiet and delicate, gently drawing people into the future ‍ projection.

Understand the process of light and try to be patient, it can smooth the edges of space.

Light changes, seasons change, nature is eternal.

The light reflected through the frosted glass leaves its mark on the eyes -- the rods, the shadows of the trees, the rings raised on the fingers, the broken hair in the ears, the light spots in the corners of the face, the corners of the mouth, the white teeth.

Under the witness of nature, all the ordinary becomes profound, and these profound constitute memories, and memories become the new us.

The Chinese dress area is arranged as a relaxing little garden.

Eastern love is mostly more traditional and respectful - the promise will be exchanged to express the intention of "give me a peach, repay me with Qiong yao", the scene of the gift will also be considered to avoid hatred, mostly in the outdoor "quiet daughter and sister, wait for me in the corner of the city", so the garden is a suitable theme for the Eastern context.

In terms of using the mobile line, because both the connected products and the fitting area can respond quickly, it naturally becomes the rest and communication area between the gentlemen (laughter), in short, it is equivalent to a happy rest.

Throughout the project, the brand team never discussed the specific design form with us, we only kept exchanging feelings to get a final resonance of the picture, which is our tacit design method.

The fitting room is the closest human-scale space in the whole design, and we get a common picture, a house with happiness -- there should be a small balcony to see the trees swaying, we wear wedding dresses in the room, there is laughter and the sound of leaves rustling, if the ground is wooden, stepping on it makes a small squeaking sound.

Signature

The universe of our eyes rests on the plane that meets the horizon, facing the sky. It makes us think about the unimaginable, the hitherto undeciphered space.Because you're upright, and you're ready. Stand on the surface of the earth to understand things. You sign a treaty of solidarity with nature, and this is the right Angle. You stand upright facing the sea.

—— Le Corbusier, The Poem of the Right Angle

Form is in space as speech is in the individual.

The role of space is to use form to let visitors feel the character of the brand silently in the process - gentle, witty or rough. If it goes one step further, visitors come away from the trip saying, "It feels good that this is what they believe in." Then space has fulfilled the mission for which it was entrusted.

We need to think more carefully -- often the fragments that we see at the time, Instead, it became the signing left by space for a long time later.