Meilan Music Studio and Small Symphony Recording Studio, located in Guangzhou Grand Theatre. Due to the professional comprehensive requirements of sound effect of the site, the walls and floors are made of special materials to strengthen sound insulation, control acoustic elasticity, moisture-proof and anti-static. The scattered and irregular surface of the space is organized by design techniques and the collocation of material density to avoid the interference of standing waves in the space to the recording. Under the premise of maximum purification of sound effects, the design aims to break the monotonous image of the traditional recording studio, and at the same time to show a more intuitive spirit of the place.

Chaos: instinct is found in chaos. There is an absolute relationship between the texture of the place and the user group. Even from a certain point of view, the reason why the instinct in chaos even becomes a violent expression of the author's ideas with a certain degree of aggression and questioning in such highly precise use scenes as classical music venues.

Destruction: the experimental version of the 6 degree chair of Eucalyptus and Wesson's original high-definition line product, the unfinished pieces of furniture were intercepted during the proofing process and the surface was treated with destructiveness. This symbolizes the questioning and destructive impulse to the nature of the work in the process of creation, which can often make the author view the starting point and orientation of any creation in a more essential and zero way.

Disorder: a randomly-established form is organized by precise logic to give rise to ordered utility. That is, the disorder that is accurately experienced is still inherently inextricable from the carding of order. This is true of both music creation and space creation. Between the establishment of order and the destruction of order, is almost a kind of creative instinct and skills of chess and seesaw.