Space is the boundary containing objects, is an immovable container. -- Aristotle
Boundaries are the essence of space, and when we need a space to display wood floors we create boundaries. The enclosing boundary at the front requires openings for entry and a certain thickness so that the interior space is well protected so that one can stay briefly as the transition between the inside and the outside. Thick doors form the vestibule, and porches open to an auxiliary storage office space. The border on the left is thickened to accommodate the reception tea room. A light box with paper is inserted in the back to conceal this boundary and make the space tend to be infinite. The enclosed area forms the exhibition hall. Display cabinets are arranged in the form of furniture along the central axis of the space.

As the skeleton of the place, the space structure is not related to the architectural tradition, form and appearance, but focuses on people's activities, roaming and staying, public and private, entrance, boundary and transition. A good space should have a clear line to give visitors a clear guide, so that they can move freely without confusion, and there should be appropriate partition, so that people can experience it and live in it, not to be disturbed.

The vestibule doorway and the hall are arranged in the same axis, which gives the vestibule the same rhythm, like a prelude to a piece of music, foreshadowing the theme of the space. From wide open entry into and through the front office corridors, or drawn to large lantern turn, stop at the place the cart before the template, calling the bright hall, is the entrance to the central axis of the long table, there is gap hid light stress axis, in the middle of the display cases and symmetry in both sides into box array, highlight the importance of exhibits itself is also formed a unique sense of rhythm, Its height blocks people's sight, separates the product series, but does not block the coherence of the hall. The ceiling block directly above corresponds with the position of the showcase to form the same array one by one, like the harmony of different Musical Instruments in a symphony, which emphasizes the spatial rhythm, gives people a harmonious and unified beauty, and inspires strong emotional resonance.

The entrance is dark, filtering out the noise outside and protecting the light inside. Hall at the end of the pervious to light is so bright and uniform body, warm and paper to let light touch, adjustable brightness and color temperature effect, can simulate different times of the sun so that the display model presented in the same as the use environment of the color temperature of the environment, can also according to the season and visitors in natural light environment of the preferences of different atmosphere. The texture shines in its light, the volume is layered, the entrance is darker, the interior is more glorious.

The spatial forms, materials and light that constitute the noumenon of reality grow independently according to the conditions of the place and the characteristics of materials. They do not transmit any information and conceal the will of the designer. There is no sign or concept direction, and they are just existing as things in nature. Such a real presence brings one into a place of quiet contemplation, evokes a memory, and opens up a new, empty world of deja vu. The real things constantly pull the imaginary world back to reality to establish their own existence, but the imaginary world is richer and more empty because of more certain materials. The tension generated by the two gives space a different vitality, which is a silent poem.

Let light, material and space appear in people's consciousness with their true face, creating a unique sensory experience.