Japan-based artist Ayumi Shibata designs intricate landscapes using layers upon layers of white paper. Some of her sculptures are miniature, whereas others are immersive installations, and all are brought to life with the play of light and shadow, which create“movement”throughout her pieces. The works feature architectural domes, cave-like forests, and swirling suns hovering over tree-filled cities. These picturesque places aren’t based on a particular location but what the artist“hopes and believes the future of the planet could look like”.

Ayumi Shibata’s ethereal landscapes envision a world in which humans and natural forms coexist, and she describes her pieces as having a“Yin and Yang”element. Paper represents Yin, the material, and the ways the works emit shadows correlates to Yang, the invisible world.“The light represents spirit and life, how the sun rises and breathes life into the world,”she explains.“I believe my pieces are a place to observe the material world and the visible one.”

The physical elements have a deeper meaning for the artist, as well: In Japanese, Kami means god or spirit but also paper, a sacred material in the Shinto religion.“Invisible‘Kami’spirits dwell in various objects and events, places, as well as in our houses and in our bodies,” she says.“I use my technique to express my thankfulness to the Kami spirits for having been born in this life. Each piece of paper I cut is a prayer.”