Brazilian artist Janaina Mello Landini graduated in Architecture in 1999 and studied Fine Arts from 2004 to 2007, both at the Federal University of Minas Gerais (UFMG), Brazil. Her artistic output encompasses her knowledge of architecture, physics and mathematics and her observations about time, to weave her world view. Her work transits between different scales – from the object to public spaces. Starting from a semiotic understanding of natural forces and human behavior, Janaina Mello Landini's work reflects on the complexity of "1", the individual, and the single by creating a language that incorporates the concept of the relationship between frequency, rhythm, and time, demonstrating the infinite connections between systems, societies, or individual tracks on Earth.

Janaina Mello Landini combines her understanding of architecture, mathematics, and physics to create each work. Most of her Ciclotrama sculptures are composed of a single piece of colorful rope attached to a canvas. By unbraiding certain sections of the twisted cord, the artist creates a complex network of intertwining branches, resulting in web-like patterns. In addition to these wall hangings, she also creates large-scale, site-specific installations that artfully design ordinary spaces with systems of spiderwebs. The artist’s main idea is to create a physical experience of tension, depicting imaginary networks, which define spaces and retell stories.

In recent years, he has shown his work in exhibitions in Brazil, Italy, England, France, the United States, Holland, Japan and Colombia, among other places. His work is part of important private and institutional collections such as the Rio Art Museum (MAR), Fondation Carmignac, BIC Collection, Corinne Ricard, Sérgio Carvalho, Graeme W. Briggs, Jorge Gruenberg and Shom Hinduja.