The old-world charm of this 19th century Brussels residence speaks the language of both past and present;  where modern minimalism and classism come to play house.

“When I discover a work of art, I’m interested by its deeper levels of interpretation.” explains Architect Olivier Dwek. In this case, the work of art became the layered architecture of a rare three storey townhouse in Brussels. Designed in 1907, the residence revealed several historic periods that have been lovingly restored back to harmony.

The central staircase has been extended up a further floor: its wrought iron balustrade is an identical reproduction of the original one below, so that this intervention forms a seamless continuation under the skylight, allowing the natural light to pour down generously throughout the house. Yet in other parts of the house, the 21st century asserts itself solidly. In the sitting room therefore, we find a succession of surprises, rather like theatre sets. A classical wall has been opened up on either side of the fireplace, forming two entrances to a library designed by the architect.

Numerous practical and technical features have been incorporated within the decor, contemporary inserts in a classical context. The transition between the 19th century and the present day is assured by several icons of modernist architectural design. The social values expressed by the various elements of the whole point to the rift which forms between a certain academism and avant-garde creation: a duality that has nurtured the entire history of art.