The area of nearly 500 square meters of the family of three is large, and it is not an absolutely laudable condition for the designer, but it is a real challenge, and the organic will give birth to another vision, another way of viewing, another artistic conception.
Under the condition of the site, we first think about how to "set the boundary", that is, through the relative definition to trigger some viewing, the existing space for clever setting and control. The so-called painting has the eyes of painting, poetry has the eyes of poetry. The eye of space is the construction of different views in space. The Chinese speak of "Dongtian", and this house is like a wrapped exotic environment, with the progressive and unwinding of walls and furniture to change the space out of layers and become a poetic geometry. Of course, what you do is best not to show deliberate.
If the spatial flow line is to create a controlled walking, then the control of the human line of sight is to create a controlled viewing. At the beginning of the entrance, passing through the hall, the difference between the side hall and the living room is not only a pure functional distinction, just like the presentation in the traditional Chinese painting, we through the choice of space decoration in the creation process "blank", so that the classical and modern aesthetic experience appears at the same time.
Far, let the moments and experiences of life validate each other, thereby inducing emotions. The volume placed in the space is a kind of "breaking the environment" - breaking the "big" of emptiness and bringing "deep" and "far". In this light, the unusualness of everyday life is revealed. Hidden and hidden, do not need eye-catching form and color. The treatment of public health will dissolve a room that is not low in the presence of the hall in the space, becoming a curve in the straight line. Interestingly, it is also a kind of rebellion against the banality of everyday life, where plain people and plain everyday activities become unusual at certain interfaces.
The mansion also has a "pot world". The master bedroom and study are introverted Spaces, like a living nature, which implies material as well as scale. The all-wrapped wood contrasts with the rest of the space. It presents a new expression, a "non-secular" space, which can isolate the noise of the outside world, regulate one's senses and emotions, and re-establish one's own quiet and relative loneliness.
The light entering the large area of the window is neutralized by the warm veneer and paint, and becomes deeply attached to the tenderness, concentrated in the shape, and becomes a slice of life with special meaning. The truly valuable creation is by no means limited to vision, but takes vision as a cue to trigger further physical activity and emotional fluctuations.
The expression of space can directly arouse people's emotions, just as poetry can also be narrated. Beauty is difficult to understand without emotional context. For most people, aesthetic experience is in the everyday and does not need to be separated from the everyday. The visual "distance" in the house is precisely the psychological closeness to the true self.
Like the church in the minds of pantheists, we are surprised to find that some forgotten poetic experiences can be revived through the expression of modern spatial architecture. Far, is the landscape in the painting, is the space interest, is the bottom in the chest. Spatial language was born, far, even infinite.
