There are artists who, through their simplicity, connect with the roots of tradition. They are what we could call intuitive artists, those who, like a dowser, are able to detect water underground, even in the most infertile desert. Antonia Ferrer is one of those artists: only with her hands, with clear and simple matter, as if it were only sand or light earth, she is able to connect with oriental painting -especially Korean and Japanese-, giving a flat surface the depth of a landscape, the remoteness of a sea, the darkness of a well.

Ferrer is inspired by many sources: from Tàpies his surfaces, from the Mediterranean the light of its beaches. It seems an easy exercise, but in that false and impossible ease lies the quality and passion that her pieces generate. She is an artist at the beginning of a path, a well-trodden path, but one in which, from the beginning, she has left her own very recognizable mark. With a background in art history, antonia ferrer’s paintings explore primitive materials which, applied gesturally, blur the line between sculpture and painting – almost like a bas-relief. The process is profoundly minimalist in appearance, with a tactile textural base covered in bath of oil color, creating light and shadow.

In her work, Antonia Ferrer creates a unique visual experience by utilizing a minimalist approach with a single color per painting. This technique allows Antonia Ferrer to create an incredible depth and texture within her work, which can easily draw viewers in. Antonia Ferrer often uses oil on primed canvas as her medium and finishes most of her paintings with an oak frame. This added element further creates a feeling of sophistication and timelessness within her work.