In 1963, is located in Venice, Italy, led by carlo scarpa's precious architectural works are seen as "the 20th century's most culture and noble customs Italian construction ideal", but it involves only one of the original entry and the internal courtyard of palace: architectural treasures and poetry, is embedded with the prestigious, extreme decline, and complex. The restoration of the building consists of four parts: the bridge is the lightest and fastest crossing arch made in Venice in the past centuries, the entrance is a barrier against high water, the portico (arcades) and the gardens.

Scarpa restored the ground floor of the Querini Stampalia, a 16th-century palace, at the request of Gino Luzzatto, president of the Foundation, and Giuseppe Mazzariol, the director he worked for from 1959 to 1963, while in 1949, the former director Manlio Dazzi asked him to work at the entrance and garden. The rearrangement of the pre-19th century sets in a vague neoclassical style is based on an elaborate combination of old and new elements, as well as a virtuosity of the materials used in Venetian vernacular, including subtle contrasts and nuances.