Sanxi Village, located in the southeast of the Eastern district of Zhongshan city since the Qing Dynasty, is situated in the valley between the northern foothills of Wugui Mountain. It is surrounded by mountains and rivers, and is one of the traditional villages with relatively complete original ecology in the main city of Zhongshan. A poem said about this village: “Around the middle of the mountains, roads twist and turn. A look at the stream for six or seven li, cottages with smoke arranged in two or three lines. Behind, forests to block the enemy from the north; Front, eight hundred acres of fertile land.” 

Times China presents another masterpiece for the unique community in 2020: Times: Dreamland·YUNLAI. The community is adjacent to the east of Sanxi Village, covering an area of ​​about 40,000 square meters, with a construction area of ​​about 96,000 square meters. The high-end residential ecosystem is built with a 2.0 ultra-low plot ratio. There is an open top-floor social club covering an area of 2,700 square meters in the garden of the project center, named "YUNLAI". It was projected by DOMANI (integration of landscape, architecture and interior products), a top design agency invited by Time China real estate company again.

If the creative type of this project is to be clearly defined, designers are more inclined to be regarded as interpreting the retrieval and abstraction of contemporary vernacular representation through an integrated project. "There is no such thing as vernacular; it is just a representation of memory. This representation arises from a series of interweaving relationships: the mechanism of history and geography; the relationship between production and reproduction; the operation and practice of the government, and the medium and form of the interaction of people and so on. We call a kind of diversity or even tenses in general as vernacular, and we are trying to define unstable things as a kind of stability." Yu Lin said, on this sense, vernacular is actually an imagined community.

As a simple geometrical building, the architectural relationship can be regarded as the overlapping of two cuboids and the combination of volumes. The overlapping area strengthens the connection of spatial dimensions and forms the diversion and management of moving lines. two rectangular parallelepipeds. The exterior facade is decorated in disorderly misspelled ceramic tiles with a soft sand chrome-plated mirror which allows physical properties to manifest themselves. The building and landscape are integrated and unified. The west entrance adopts an L-shaped path that allows visitors to view different sides in a given field-closed and open, outdoor and underground, casual and finite, immortal and daily, time and matter. Different interpretations of the sense of presence can be described as rich experiences of condensed perception.