The distant mountains are meandering and misty.  Close to the water leisurely, with colorful light and shadow. Landscape each other, holding a cup of tea, singing in the vast, which is the origin of the Hushanyin

The beauty of the West Lake has been indescribable since ancient times.  Su Tungpo, who knows this well, also said: Western Lake is with world scenery, visitors have no stupid talents, the depth, heart difficult to pass. The West Lake beauty is famous in the world, for all the tourists, regardless of high and cheap and stupid, it can find endless fun here; in view of such beauty, it can only understand the heart to experience, but can not use words. Hushanyin, only 400 meters away from the West Lake will combine the elements of the West Lake with the complex indoor functions and get a different sense of experience. Therefore, how to effectively perceive and extract and use the many beautiful elements about the West Lake is a problem that we have been thinking about in the early stage. 

The scenery of the West Lake has praised countless literati and poets, and works about the West Lake have been numerous since ancient times among which "West Lake landscape" written by Southern Song Dynasty Li Song is the best. The "The West Lake Landscape" leaves the lake white, surrounded by mountains. Both fine brushwork and freehand brushwork show the meandering and charming of the West Lake landscape. In combination with the physical spatial scale of the project, we take the West Lake mountain view as the title to describe the whole space.

Mountains are made a shape to build the body division function, with the rock as the sample display material to express the texture, with haze as the meaning to reflect the atmosphere to convey the artistic conception.

For the common areas, we take the screen partition as the body, showing the mountain shape and separating the area from the moving line. Different scales of the partition coordination part will raise the ground to wander in the mountains, on the other hand, the difference between material and body further shows the change of the mountains and the relationship between virtual and real space. The height of the partition and the combined tea table meet the function of the seat and desk when the tea-house is transformed into a teaching situation.

For the material used in the space, the stone material is used to be with the paper as the main expression of the space material. In the selection of guest rooms, we realize the artistic conception of clouds and rocks by means of the paper dyeing with different ways. In order to reflect the atmosphere of the tea-house, the process of small pieces of paper superposition is used to spread the wall to further express the artistic conception of the space and the elements of the fusion. The fusion of screen paper and acrylic further extends the atmosphere, artistic conception and relationship of the space.