C&D Sunac Changan and Xi sales office interior to the Oriental "Zen" as a whole design style, referring to the "painting" as the design concept, painting as the axis interpretation of the traditional Oriental cultural space. The overall layout should be constructed in accordance with the spatial concept of "four waters return to the hall" of the landscape, turning back to the deep borrowing, and deducing the beauty of tradition through the spatial experience of one garden and three steps.

When the sky is clear and the sky is clear. Pavilions dense place, the floor of the world. The background of the entrance gate is the blend of the artistic conception of the Ruihe of the Song Dynasty and the cloud crane, which is balanced and symmetrical, bright and distant, atmospheric and natural, with royal style. The auspicious clouds around the temple break the horizontal line of the building, the sedate and dignified picture then the flow of spirit, a school of nature. At the same time, it implies the spiritual pursuit of lofty ideals and noble virtue.

Front porch design sequence of the screen, the construction of the space of the Oriental "ceremony" field, the formation of a psychological sense of ritual transformation of the straight reception desk, supplemented by dexterous and delicate metal components, with exquisite craftsmanship to convey the craftsman spirit, convey the beauty of Oriental etiquette. The background subject is taken from the classical Chinese painting screen, which echoes with the natural ink texture of the stone, to build a three-dimensional painting space.

"How deep is the courtyard" borrows the progressive relationship of traditional Chinese architectural space to form a continuous porch, focusing on the spatial level, one scene at a time, inviting exploration.

Pause to enter the sand table space from the film hall, and use the floating art installation to change the mood of the space. The artistic installation of the space, combined with jade articles and calligraphy, derives the character of the space and conveys the connotation of the Oriental spirit. The sand table deduced from the form of ancient compiled books symbolizes the inheritance and continuation of Oriental culture.

The design of the ceiling of the sand table refers to the caisson of traditional Chinese architecture, the ingenious and simple overlapping between the mortise and tenon joints, the traditional wooden structure and caisson structure blend with the celestial light and weather, and the heavenly gate opens and closes, reflecting the cosmological view of the Chinese people. Technology to carry the road, road art unity.

The ceiling wood structure uses the traditional "mortise and tenon" sequence, the superposition of the upper and lower levels, Yin and Yang, light and shade complement each other, which is not only an art in architecture, but also conveys the philosophical connotation of the East.

Reception area, space arrangement of refining in the five dynasties Gu Hong, the "han xizai evening banquet", through the screen, sofa, long case free combination, formed the two sides is proper, looked like the etiquette space, using the traditional Oriental painting, form the definition of space, let whole line of sight and out of court in garden space coupling formation, convey the spirit of Oriental cultured elegance.

The shape of the bar comes from the eaves and tail of the traditional Chinese architecture, which echoes the overall architecture through the new interpretation. New and old, classical and contemporary transformation of the collision, once again convey from the East of the ritual order. The chandelier at the bar is inspired by the tiles in ancient Chinese architecture, continuing the elements in ancient Chinese architecture and deriving the new thinking of classical culture in contemporary times.

VIP room to the "borrow scene" in the Chinese classical garden, indoor, introduced the whole atrium landscape, as the biggest in the space art, rolled out a vivid three-dimensional picture scroll to convert four water belongs to the hall of Oriental classical gardens became the biggest art installation space, structure of space field and facing each other in the corridor, on the moving line form home to the spatial relations can swim.

The eastern garden overlaps with the main building space and speaks to each other. Find a new meaning in the classics, look for the current from the old books. Create a humanistic space where images blend.