The pre-Qin handicraft wisdom monograph "Kaogongji" once recorded:
Sometimes the sky, the earth is angry,
The material is beautiful, the workmanship is skillful,
A combination of these four can then be good.

It means that all the finest things in the world must conform to the weather, adapt to the atmosphere, and be born under the conditions of superior materials and exquisite craftsmanship. This is a systematic view of creation, emphasizing that everything should be designed from the perspective of the entire nature and the times.

The designer integrates the concept of returning to the original and seeking the source into the space, leading the occupants to experience the most primitive oriental charm of contemporary dwellings.
"Mountains without waters are not beautiful, landscapes without waters are not good." In the gardening technology of Chinese classical gardens, the laying methods of natural elements such as mountain building, stacking stones, and water management determine the environment and artistic conception of the recreational area.

All white clothes are gentle and elegant. This is a typical image of ancient oriental literati, and it is also the oriental charm that the design wants to convey.

In Chinese classical architecture, the tenon-and-mortise structure is one of the deepest attainments condensed by the wisdom of the ancients. A tenon and a mortise are like souls that fit each other, and once they meet, they are seamless and integrated.

The water bar area continues the dignified and elegant meaning, and the clever tenon and tenon structure also gives it a unique aesthetic taste.

The colors of the bar and the seats are in contrast to each other, and a touch of red in the background makes the space vibrant while adding a layer of ultimate oriental charm.

The staircase is paved in graphite color, and the branches and leaves hang from top to bottom. With the pace of the visitors, a dialogue between the new and the old is formed between the beginning and the turn, making the space roaming like a drama arrangement.

In any era, design is a concept and idea to transform the objective world. While designers re-examine the nature-human-society relationship, more people are beginning to realize the importance of ‘going back to the source’.
The large surface of the wall in the book bar area is treated with white space, and the screen elements in the negotiation area are still used here. In the center of the field, the Baijiaxing installation created through abstract techniques forms a magnificent momentum in the air.

The design focuses on the spiritual needs of the new middle class in the city. It is not pure element stacking, but through the interpretation of traditional culture, and the aesthetic needs of modern people to create a new paradigm of vitality for sales space.
The designer deconstructs Chinese culture and contemporary fashion elements in the long river of time and space, takes the introverted and calm traditional culture as the starting point, incorporates modern design language, and injects condensed and beautiful Chinese sentiment into the modern space through the material, light and shadow, and the relationship with people.