This project is a business house mainly engaged in various high-end wines. Traditional commercial spaces often fall into the thinking of selling goods, resulting in messy spaces without the advantages of products, and the space itself loses its meaning of existence. We are rethinking the relationship between product and space, while resonating with time.

The mood of the material

Material is an unconscious non-living form in the objective world, unable to express its thoughts in words and unable to manifest it autonomously. The charm of itself. As designers, we try to create bridges in different dimensions, where materials talk to us. Its thoughts tell us what it expects it to be like.

The form of the engraving

Light and form is a way of expressing emotions in the real world in a frozen state, Peter . When describing his experience with architecture, Peter Zumthor said: Architecture can feel time, architecture has a soul form, and a good building needs a soul. 

"Light" has no shape, and "thing" has no soul. When they reach a consensus, they also trigger the emotions of space, which, although untouchable, transmit thoughts in another state. A place where form meets light. Light and objects are interdependent, talking about it in a certain dimension, there is no concept of time here, it is a sense of contradiction, an impulse without thinking. 

Within and outside the boundary

The space on the second floor is the owner's private clubhouse. While emphasizing privacy, it is also a space for reception and negotiation, a place with necessity and chance, the generation of people and people, the generation of purpose, when the space is free and accidental. Then, there is a connection between people and space.

"Window" is a way for architecture to communicate with the outside world, light and scenery cleverly enter the place, solidification and reality meet flow and ethereal, like a poem, beautiful but rigorous. An art that does not need to be stated in words.

Light and darkness are opposites and unity, complement each other and complement each other. In design thinking, light itself can be a kind of explicit material body, which should be presented as a visible subject in space, and express the emotions of the material itself in space through the materiality of light. After reaching a consensus between darkness and light, it is full of exploration of the unknown and raw rice, looking forward to the discovery of the unknown. 

Starting from the material itself, to discover more possibilities of space, the expression of emotions, the solidification of time, and endless exploration.