What is the role of the office today when you can work from anywhere with just a mobile terminal?

Internally, the office is a place where information is collected, synthesized and summarized, bringing together people with similar interests; externally, the office is like a person's clothing and accessories, needing to clearly and intuitively display the image of the company, while assuming the function of reception. On top of this, the Chinese also pay attention to the time and space of the mind, creating meaning in an ethereal world.

In the design of BRIDGE ART OFFICE, Huson Hu hopes to go beyond "seeing is believing", to let the tentacles of thought extend without boundaries, to achieve unlimited freedom in a limited space, and to give people a reason to re-enter the office.

On top of the highland snow mountain, Chu red declares the awe-inspiring quiet power, while in BRIDGE ART OFFICE, Chu red carries the elegance of the old time and builds up the warm atmosphere of the space.

The entrance is a direct reflection of the brand's own aesthetics and values. As the starting point of the spatial sequence, it also bears the function of leading and guiding. Huson Hu realizes multi-level space construction through the organic combination of interface, side interface and top interface, and the vertical wall opens a line as a link between the inner and outer space, which invariably increases the light and shadow changes of the façade. The brand logo is the only tangible decoration on the wall, and at the same time acts as an invisible visual guidance system.

The interior of the space is mostly partitioned with furniture combinations, and the layout is flexible and variable. The glass furniture reduces the sense of volume, and the grid structure cabinets are both functional furniture and a guide for the area. The negotiation area and the reporting area are located next to each other, the selection area is outside the supervisor's office, and the staff office is located in the deepest part of the space. The simple partition liberates the office from the closed form, and the freedom and flexibility of people are increased accordingly.

It is an unwritten rule in the circle that expensive materials make expensive designs, but for Huson Hu, the value of materials is never the yardstick to determine the value. His yardstick is: to achieve the maximum spatial texture with the least material cost; to let design become a language, reflecting its creativity, culture and artistic spiritual core; to let design no longer serve only for production, but take the existence of people as the value orientation.

The modern office is functional and expressive, but lacks a sense of life. Huson put "Red Barrel Action" and "Seven Sages" into the space, on the one hand, to supplement the thinking behind the design with artistic acts, and on the other hand, he also tried to enrich the content of interior design.

Peng Zhong, a post-85 product designer, has won nearly 100 international awards. The "Red Bucket Act" initiated by him started in 2015, with an unusual red plastic bucket covering his head, just like a faceless person walking around the corners of the earth. The useless bucket is useless, and there is no exact designation or direction. In Huson's eyes, this is a kind of freedom.

In the main aisle of the space, one of the "Seven Sages Elegant Seats" designed by Peng Zhong is also placed. In this work, Peng Zhong dislocates and stretches the points and lines on the surface of the sphere in an irregular manner, forming a sculptural shape with a metallic appearance, visualizing the tolerance, temperament and pursuit of the seven sages. The "fault tolerance" allows the "Seven Sages" to carry its own tension and live like a living organism.

Let the extension of mistakes become unexpected surprises, Huson deeply resonates with this. He believes that the diversity of future interior design is not only reflected in the materials, techniques and structures of the design itself, but also includes the cross-border integration of multiple industries and forms. In this process, the more raw the design is, the more likely it is to stimulate new effects.

The new crown has prompted a full-scale fermentation of online office, holding office workers in the information age hostage. The virtual space helps people to achieve borderless communication, but also dissolves the real contact between people. The real face of people is hidden behind the screen, which seems to be efficient but is not conducive to deep communication and collaboration.

Loneliness is the most important proposition in life, and some people regard it as the most serious social problem. In the midst of a rapidly changing society, it is especially important for people to recover themselves. Adults have the same game mentality as children. Games can not only satisfy people's self-indulgence, but also relieve stress, and creative "props" can also inspire people's inspiration and enthusiasm for creation.

In "Star Wars", "lightsaber" is a very important weapon. Different colors of "lightsabers" symbolize different identities and camps, and the owner of a white lightsaber, usually does not obey any one alliance, only for their own sense of freedom to fight. The lighting installation in the shape of "lightsaber" not only balances the visual contradiction between vertical and horizontal, but also increases the material contrast in the texture of the space, creating an entertainment fun for young people.

Installations, furniture, sculptures, paintings, etc. are all "props" to interpret the concept of space. They can not only decorate the environment, but also show the brand's proposition and characteristics, presenting a space where people, technology and art are fused with each other. A space designed purely for function is monotonous and indifferent, just like a story without a plot, while the transfer of scenarios through "props" can effectively arouse people's emotional resonance.

BRIDGE ART OFFICE is located above the exhibition hall of "Gentle Awakening", and the concept, scale and color of the space are in line with the exhibition hall. From "awakening" to "freedom", Hu Tao tries to maintain an artist's temperament in the commercial project and find his own design language in the exploration. This is a space that requires substance and imagination to interpret. The design is simple and understated, yet each step has a deep interest, so those who are interested may wish to experience it in detail.