This is a concrete space, to explore the pattern of the interaction between light and space, by their items used in real life and visited scenery, inject new ideas on the memory of these places, including the nature of creative thinking, to collect the intimate moments of others, or memories of the film and television works, stacked up in space, shows the designer's psychological features, Increased levels of the space, corresponding to the different characteristics of a wall, someone, water cup, black ball, chairs, black sand, water, tomato, and these items of representational balance space, make up of these items of time field growth in space, makes the walls a place full of possibilities and freedom, is a let all items produce alternative visual language, Maybe it's a so-called monolithist art form

In particular, the biggest way to think about space comes from Ron Fricke's many films, which consider the interaction of people and objects on Earth through time.

After the end of the First World War, the mining of Kolmanskuppe stopped. After the mines closed and the residents left, Kolmanskuppe became an empty city swallowed by the desert. The artist Alvaro Sanchez Montanes entered the empty houses, Record the quiet beauty of the interior space. The design of the space is inspired by the artist's work, the swallowed space, the imprint of civilization, thinking about the survival relationship between human beings and nature, and the sense of a large amount of black quicksand to show the visual shock.

Is it black? This is black, these black spheres all over the space form the landscape, organizing the language in order, like the vortices of water and cross flow, and then marking with color.

As for the boat, it is more like an object dragged out from memory, from 1971, handmade, original ingredients: fir, tung oil, lime, ramie shell, iron parts.

Inspired by the scene from Blade Runner 2049, but the designer wanted to get a new experience through the space without constraint and through different presentation techniques.

The long and narrow red space creates a new unexpected space to satisfy the designer's desire for peepings. There are different sensory antagonism in the space, and color plays an important role, giving a strong sense of unease. The falling plaster shows the power generated by the intersection of space and time, and perhaps a metaphor.

Sitting on a bench, the front is black and a concrete wall of calm water, the water is very shallow, is changing all the time, but is not within the scope of visual records, is a designer for solitude again, space began in black overprudent, end in the water, the two elements heavily built space, they can be large enough, make a person lost, also is small enough to make people see themselves.