"When the phantom of falsehood is destroyed, beauty is immortalized" - Yukio Mishima, Kinkakuji

Regarding beauty, Mishima Yukio visualizes it as a kinkakuji, burning it a hundred times in his heart; obsessing and struggling with it, he eventually pushes himself into a kind of nothingness, with cicadas curling up, the flowing water in the courtyard rippling, and the side of nature shimmering with momentary golden scales.

Inward Reunion, Outward Impulse

Asian aesthetics is a by-product of the search for a balanced relationship between man and nature, and the creation of a threshold space in meditation. The exploration of beauty is in a state of obsession, like a huge ship sailing on the ocean, crashing a wave. Some of the waves are called minimalist and some are called extreme. After a period of exhaustion, picking up the last layer of broken ripples on the surface of the sea, in which a fleeting but sharp beauty is found, this is "the sorrow of things".

Natural Side Shadows

The project hardcover space with a large area of wood materials as the main substrate, supplemented by metal lines on the flat surface of the composition and division, coupled with the embellishment of green stone, the space presents a tranquil atmosphere of warm temperament.

This aura shapes a field in the space that happens to hide in the sidelights of nature.

"We live in the age of gardens, not architecture." According to Japanese architect Kengo Kuma, one does not always need a building, but a garden is always necessary.

Past few years, the risks of indoor and enclosed spaces were felt, and the outdoor experience thus became more important. The concrete closed box is no longer suitable for contemporary living needs, and from this point of view, combined with the conditions of the hard furnishings. We want to translate the natural elements into a contemporary way, think of the whole space as a garden concept, and apply natural forms and materials to the soft furnishings design, so that the indoor monoliths can be turned into landscapes within the gardens.

The choice of soft furnishing materials follow the harmonious coexistence of function and collocation, full of texture of the sofa screen wood finishes to form an overall sense of the picture, the whole space smooth layout and clean lines are combined, so that the original open 
The wide space becomes more light and transparent. Two dark-colored wooden antique chairs make the whole space tone balanced and harmonious, and the use of simple, back to basics design techniques, so that life returns to the original pure.

This armchair is the original version of the antique chair, a classic Danish design. The designer Kristian Solmer Vedel designed the "Modus" series of furniture for the cabinet maker Soren Willadsen in 1963. Made of dirty Brazilian mahogany with black leather upholstery, this chair has a unique design and structure, making it a very comfortable chair and ideal for reading.

Reconstructing the indoor sensory experience and adhering to the design philosophy of symbiosis between man and nature, integrating regional humanities into the daily space, constructing a harmonious relationship between man and nature, so that residents can enjoy the "out of the city" in the modern urban context. The natural poetic life of "prosperous and leisurely".

Golden scales glittering in the paradise of Loyalism

Object sorrow is not pessimistic to scrutinize the beauty, but to report the permission to everything, holding a bouquet of lotus flowers in the clumsy mud. Staircase stretches up and down two spaces, giant dragon scale device in the plain color of the light, like you a golden pavilion resting on the dark water at night.

The installation is made of metal, mounted near a spiral staircase that descends from the second floor through a central void. The metal scales are formed through the accumulation of pigments and natural flows, and are arranged on the surface of the metal chain in a series of scales that resemble dragon scales, resulting in a dragon-like sculpture.

Both in numerous East Asian cultures and in various ancient iconographic depictions of metaphorical return and eternity, and a symbol of culture and wisdom.

The Golden Pavilion of the Heart

"Discover beauty, see beauty, make beauty last."

The entire dining room and the open kitchen are connected as a whole, narrowing the boundaries between inside and outside, integrating with each other but carrying different functions, as if they were independent of each other, but also dependent on each other. Dining table legs with square grill 
Screen with the living room and echo each other, both special and form consistency, the top of the dining room hanging art chandelier modeling simple and full of layered sense of reflection above the table, the heavy sense of volume so that the presentation of the 
Sculpture-like beauty, delicate texture to express the tranquility of the space and remote, the art of nature in this play to the fullest.

This elaborate golden fixture suspended from the ceiling is a chandelier made of metal, with a special process and a high degree of sensitivity of the material that transforms paper into a delicate and thin pulp covering the metal surface, whose natural texture gives it an antique flavor, as if to evoke an ethereal and serene atmosphere, and contrasts with the metal. At the bottom of the chandelier, a stone device is designed to run through the entire space.

Aspire to the mountains, the park is not far away

The essence of the bedroom is the spirit and will belong to the wooden tone into the simple and refreshing soft furnishings, the artist's work will be elegant literary harmony of the atmosphere more obvious, in giving the space unlimited imagination at the same time, people feel the temperature of the home and the beauty of the light surrounded by a kind of healing, serenity, introspective sense of the atmosphere, rich in tension of the design approach to mobilize the residents of the life of the rich and three-dimensional perception of a balance between functionality and aesthetics. Functional and aesthetic balance.

The mountains and mountains, the bathroom continues the theme of collaboration between nature and living space, introducing natural light while ensuring privacy. Warm-toned hard and soft artwork renders in addition to the sheen of the break of dawn, the shimmering light is relaxing into the enjoyment of the bones.

We have never forgotten what we really want to seek, the wind and rain blowing, but not wet in the heart of the gravitational pull of the paradise. The beauty of things is not unchanging for a long time, the beauty of things in the misty golden scales wake up ripples.