Bid farewell to my starting point, "Lao Wo yuan man", and found my eternal "Ben Zhong Xiao Zhu". The reason why the studio was given such a name was derived from the words in the Song Dynasty's Mao Zedong's "Shui Diao Ge tou": "after a hundred years of small construction, how many people will become Ya Zhi." At this time, you may see ancient sandalwood and Orchid Pavilion drunk alone, but it is not. The studio is determined to find breakthrough and inspiration in the city's complicated and redundant state. The core of the design of this case is to abandon form and seek meaning.

The facade of "Ben Zhong Xiao Zhu" is an existence of great architectural aesthetics. The inclined wall is like a time hourglass, which wakes up the sleeping fleeting years. The wall and the floor are sprinkled with a thick earth color system, neither charming nor desolate. Weathered rock texture and ancient pine log benches guard the entrance of the main gate. When the Striped metal glass door is opened, the light is evenly cut and divided, and the mottled light and shadow are virtual and real, leading us into the atrium of the round place. The soft sofa, the compacted pottery basin, the warm fireplace, the static ripples, the swaying branches, the picturesque Koi, the flowing veil, and the quiet lights all naturally exist, and we are happy in it.

Get up and take a small stroll. Above the platform is the work area. Furnishings are neither extravagant nor too fashionable. They are simply warm and friendly. They are retro and lazy, but they do not seem so messy. They look ordinary. In fact, there is no lack of love for old things. With a circuitous moving line, we returned to the central hall again. Where our eyes stopped was the logo of the red wooden arrow on the door beam. The warm red paint was engraved with "Ben Zhong architecture". It carries the ideal and pursuit of a designer, and also accompanies the growth and transformation of the designer.