Located on the north side of the historic center of the town of Cahors and a few steps away from the banks of the Lot River, this cinema stands on a former site dedicated to the army, today renamed Place Bessières. The urban space of the project were design by Grue “paysagiste”  . Recreate and reinterpret the symmetry of the preexisting army barracks by occupying the area of the east wing of this complex. Previously serving as a parking lot, the Place Bessières has been transformed into a broad and welcoming urban space dedicated to pedestrians and protected by an existing canopy of trees.

The square is mostly paved in brick but benefits from a densely green area at the center called "the oasis". There used to be a museum in a building on the site, and the building was later demolished to make room for the project. The museum will be located on the top floor of the building, with the entrance clearly separated from the cinema. The buildings and adjacent outdoor areas here are organized according to a rigorous, harmonious, and level layout, in keeping with the practices governing the 19th-century military and public facilities. To fulfill the aim of restoring their former scale, this group of spaces is treated with simplicity and unity of materials, furniture, and greenery.

The monolithic volume reveals awe-inspiring façades, but on the upper floors, it has been surrounded by a machrabiya composed of little perforations. The intricate alternation of solids and voids serves a functional purpose. The perforated skin enlivens the interior spaces during the day thanks to the penetrating light and the interplay of light and shadow whereas, at night, the façade creates a screen of tiny shimmering lights.

The architect’s search for a powerful contemporary aesthetic seeks to carry the architecture of the cinema beyond the simple objective of recreating the morphology of the former barracks. The building is divided into two distinct, methodically created, and visually highlighted volumes: one built of brick and the other of perforated and gilded metal, each one playing a very precise role in relation to the public space. The brick volume mirrors the two buildings of the former barracks and is imagined as a contemporary and identifiable reinterpretation of these existing structures. It is the most striking and visible element on the square, owing to the direct reference to the town’s history. Brick was chosen with the aim of enhancing the collective memory of the citizens of Cahors while avoiding any hint of pastiche.