Everything changes, with nothing immutable, so, in the general evolution of historical and artistic movements, as in the work of Bettina Reisky, the connection between material and time takes on a vital role. Which invites us to reflect on the transience of the moment, in a life in which nothing is eternal, and an existence which always has a beginning and an end — and which is the more fragile and precious for that. In Bettina Reisky’s art, not even the works achieve eternity. It is awareness of precariousness, and of the ephemeral, which end ows some of her more significant pieces with life: an elusive, indeterminable fabric, that escapes form, and pin points that process through which everything is born, mutates and, ultimately, is extinguished.

Bettina Resky's art is a reflection on the questioning of life. Her work seems to be an exercise in perception, reflecting our experience. In her monochromatic works, she deals with the signs and traces of memory and experience in a reflective and abstract way. It is not made up of specific objects, but a projected surface made up of small and large panels.

For Bettina Reisky, object art is always painting. It doesn't matter whether the piece is a canvas with strong and soft acrylic paint, or a three-dimensional object with a wooden or cardboard body. For Bettina Reisky, painting is primal. Her intention is to leave myself on a variety of bases, to record oneself irrevocably in order to transmit meaning. Bettina Reisky images, as well as objects, should be intermediaries in the relationship between people and the world, they contain codes and signals that create direction and reflect or reveal the memories we have in them.