In the traditional concept of construction, the ultimate form of comfort is a sense of balance between man and nature, and the standard for evaluating a city is also the same. Xiamen is just such a transparent city, modern but not busy, gentle but not lazy. People here have found the right balance between comfortable nostalgia and sophisticated modernity, which forms the unique flavor of this city. In Xiamen Xuhui Hengji Boyue Wuyuan Bay, we actually explore another possibility of urban living.

“Healing comes from human exploration of the source." After the epidemic, we began to pay more attention to the key word "energy." For us, energy means a sense of healing that comes from being surrounded by physical comfort and spiritual peace. This is not a tendency to turn inward or retreat from the world, but to be more open to everything after completing one's own revival."

In the sales office of Xuhui Hengji Boyue Wuyuan Bay, the organic shape builds the framework for the healing sense of space. We use the organic shape to divide the space and deal with the details, so as to bring soft and stable atmosphere to the space without loss of elite temperament.

The British critic Clive Bell believed that a work of art can be called a work of art when it has a certain line, color, texture or shape, because these specific aesthetic elements can evoke positive psychological resonance in the viewer. These aesthetic elements are not influenced by time, let alone by the identity and background of the viewer.

The organic form fits into what Bell calls a "universal aesthetic." Simple lines have a pleasant code -- comfort, softness, simplicity, fit.