Turn clay to make a vessed. When empty, the vessel can be used.

Through the re-creation of the entity, the sculpture not only has a unique visual aesthetic, but also reflects the creator's emotions, perceptions, concepts or thoughts about the world, and establishes an effective mechanism for communicating with the viewer. If a huge stone is placed in the site, it is different from the careful carving of the external contour line, but it turns to the internal excavation, forming a certain inner space to accommodate the necessary functions and forms, so that the "visible image" gradually becomes clear and clear.

Construct

Chisel a stone for an artifact (idiom)

The cave in the cave is one of the earliest architectural prototypes, with favorable conditions to save labor, its hard shell is also easy to obtain protection, to achieve physical shelter and inner peace. Combined with the brand positioning of Meishi Meke, the concept of "stone tools" is used to make the chiseled part into a perceptible physical space, which is separated from the conventional face-to-face relationship, generating a three-dimensional volume, and building the infinite possibility of "exploration of inward experience".

The form comes from the ceremony, and the ceremony is an important basis for the layout planning. From the entrance reception to the rear exhibition area, the plane is divided into a three-stage structure, and then the required functions are arranged in order, although each is independent, but interconnected. Between the two original pillars, centered on the axis of the cross, the vision gradually shrinks, and finally settles on the far end, changing with the rhythm of both sides of the path to create an interesting visiting experience and attract visitors to enter.

Watch

One-Point Perspective Theory

Perspective plays an important role in painting and space construction, and one-point perspective can "build" a so-called pictorial space, which determines our detailed position in space; It is even said that starting from the perspective of one point, the consciousness of being in space is generated. From inside the building or discussed from the interior, the one-point perspective also shows a concrete viewing experience, the body moves, the gaze changes.

In the square plane, change the shape of the original site, put in the left and right two "diagonal walls" - beams, walls, columns and other combinations, in order to emphasize the sequence of space. The pure yellow cave stone is spread from the outside into the interior, becoming a consistent tone in the space, and the natural texture flows freely from the bottom up. Some parts, such as the reception desk, vertical concave position, sculpture base with special treatment to finish, create details while changing, express respect for the craft.

Axis

Crossroads

Line is characterized by linearity, color is carried by surface, in a sense, line is more aesthetic than color. Instead of a single form of expression, a cross axis extends from the center to the periphery, forming a view between the scenes. At the interweaving point, facing the entrance, a statue of Western mythology is displayed, witnessing the perfect blend of past and future, history and present, classical and modern, East and West, and also becoming the visual focus of the space.

Simulating natural sky light, the L-shaped surface light self-supporting surface extends to the ceiling, fainting a soft halo, with the cooperation of local point light source, highlighting the key points and distinct layers. Scattered utensils, or the long bench processed by raw stone, or the European classical column body and column head with a very complex process, or the daily tables and chairs formed by the combination of different stones, show the unique charm of natural stone one by one, and touch the place, all the hearts have a warm texture.

Nature

Fluidized Pictures

Compared with the space with relatively small scale, how to make the small see the big and the finite build the infinite is always the key to design considerations. In the same way as the reception area, the tea room is hidden behind the sliding door. The local elevation of the space helps to create a rhythm of progress and a change of experience. A glass slit is set vertically in the shade corner, so that the sight can penetrate, and when you sit down, you can also see the outdoor scene and passers-by when you drink tea.

As a natural product, stone has a rich texture expression. There is no painting in the interior, and each corner displays a natural painting. L-shaped language and its own texture have a certain visual fluidity, just like a flowing natural picture, injecting fresh vitality into the space. Any kind of container is the coexistence of empty and real, and the transformation of nothing and some, and the relationship between the two is not opposite, but complementary. When there is something, it is beneficial; When empty, it is useful.